Cast as a vampire who heads a rock band, Ali Louis Bourzgui gets the ability to fly and create a character who’s a Broadway original.
- Bruce R. Miller Lee Enterprises
“The Lost Boys” doesn’t stray from its 1980s roots, but director Michael Arden pulls it into the new millennium and reminds you Broadway can do anything.
- Bruce R. Miller Lee Enterprises
There isn’t a “Hamilton” lurking in this year’s Tony Award nominations, but there are plenty of shows that reward pop culture knowledge.
- Bruce R. Miller Lee Enterprises
“Cats: The Jellicle Ball” may not be everyone’s saucer of milk, but it is the kind of show that could bring generations together.
- Bruce R. Miller Lee Enterprises
More succinct, humorous and charming, it cuts through the filler and gives you the “real” spoof of a 1950s Broadway musical.
- Bruce R. Miller Lee Enterprise
“Titanique” isn’t a typical musical. It’s a Vegas-level spoof that suggests Celine Dion wasn’t just the “Titanic” ballad singer but a tour guide through a Titanic museum.
- Bruce R. Miller Lee Enterprises
Will it change those who see it? Perhaps not. But it should nudge them to pause before doubling down on their beliefs. “Ragtime” is a force.
"Two Strangers (Carry a Cake Across New York)” may have an unwieldy title, but it’s the most charming musical of the year.
For re-enactors and interpreters, bringing historic figures to life is more than dressing in period costumes. It requires preparation and research, a love of history and a dedication to accuracy.
Accompanying cremation’s rise in popularity are businesses entering the scene to answer the question of what to do with the ashes.
Jacob Ryan Reno, tall and boyish, wearing the kind of blue smock you imagine a painter would wear in a cartoon about a painter, is not good at his job.
The 2025 Tony winners are still up in the air in many cases. So who wins? In advance of Sunday’s broadcast, here are our predictions.
Five days after her Broadway musical, “Dead Outlaw,” opened, the show landed seven Tony nominations including one for Knitel’s performance.
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